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MUSI43730: Advanced Projects in Stylistic Composition and Arranging

It is possible that changes to modules or programmes might need to be made during the academic year, in response to the impact of Covid-19 and/or any further changes in public health advice.

Type Tied
Level 4
Credits 30
Availability Available in 2024/2025
Module Cap None.
Location Durham
Department Music

Prerequisites

  • Students will be required to demonstrate historical composition and/or arranging skills equivalent to a strong 2:1 final-year undergraduate portfolio. They should provide details of their prior experience, including any relevant undergraduate modules taken. At least two complete scores (total duration at least five minutes) must be submitted as evidence of the appropriate level.

Corequisites

  • None

Excluded Combinations of Modules

  • None

Aims

  • To develop skills in historical pastiche composition and/or arranging.
  • To encourage the fruitful association of compositional and analytical skills.

Content

  • Under the guidance of an appropriate member of staff, each student will devise and carry out a project of one of the following types: (1) composition of one or more works in a given historical style (or styles), accompanied by a full analytical commentary (including a fully annotated score, produced concurrently with the composition and showing relevant details such as harmonic progressions, figuration, and main motives); (2) an advanced instrumental and/or vocal orchestration/arranging project, also accompanied by a commentary and condensed score illustrating the rationale of the scoring.
  • The project may be related to a specific analytical interest, e.g., dissonance treatment in a particular style or genre.
  • The project may relate to music of any genre, ensemble type or historical period, subject to availability of appropriate supervisory expertise.

Learning Outcomes

Subject-specific Knowledge:

  • advanced knowledge of particular musical repertoires
  • advanced knowledge of relevant principles and concepts of musical grammar and form
  • advanced knowledge of particular compositional techniques relevant to a given genre and period
  • advanced knowledge of principles and techniques of arranging

Subject-specific Skills:

  • the ability to work creatively within a given historical idiom
  • rigorous, critical reflection on ones own creative work (rather than reliance on intuition)
  • application of analytical skills to creative work
  • advanced competence in musical literacy

Key Skills:

  • ability to analyse critically
  • an advanced degree of competence in the planning and execution of complete works
  • effective time management and the ability to work to deadlines
  • professional presentation skills
  • problem-solving skills

Modes of Teaching, Learning and Assessment and how these contribute to the learning outcomes of the module

  • The project will be discussed during meetings, like a dissertation.

Teaching Methods and Learning Hours

ActivityNumberFrequencyDurationTotalMonitored
Individual consultations5Through the 3 terms1 hour5 
Preparation and Reading295 
TOTAL300 

Summative Assessment

Component: ScoresComponent Weighting: 60%
ElementLength / DurationElement WeightingResit Opportunity
Compositions/arrangements8-10 minutes, not counting exactly repeated sections such as expositions, non-varied rondo themes etc. 100Yes
Component: EssayComponent Weighting: 40%
ElementLength / DurationElement WeightingResit Opportunity
Commentary2,000 words, plus music examples including fully annotated score(s) of all compositions/arrangements 100 

Formative Assessment

Passages from the planned pieces should be submitted regularly and discussed in meetings.

More information

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Current Students: Please contact your department.