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MUSI3332: DISSERTATION

Please ensure you check the module availability box for each module outline, as not all modules will run in each academic year. Each module description relates to the year indicated in the module availability box, and this may change from year to year, due to, for example: changing staff expertise, disciplinary developments, the requirements of external bodies and partners, and student feedback. Current modules are subject to change in light of the ongoing disruption caused by Covid-19.

Type Tied
Level 3
Credits 40
Availability Available in 2024/2025
Module Cap
Location Durham
Department Music

Prerequisites

  • Students must have taken a Level 2 module from the music pathway corresponding to their dissertation.

Corequisites

Excluded Combinations of Modules

  • Folio of Compositions (MUSI3312), MUSI3672 Performance 3: Public Performance Project, MUSI3762 Portfolio of Techniques (double); students may also take MUSI3041 Dissertation (single) if it is in another pathway.

Aims

  • To enable students in their final year to undertake a substantial study of a topic approved by the Department of Music. This serves as the capstone of the degree and as preparation for postgraduate study.
  • Students are expected to demonstrate an ability to work independently, with the support of regular individual supervision, applying research skills developed in the first two years of the course (i.e. defining a research question, collecting and evaluating a body of relevant information, and writing the results up in a coherent and logical manner).

Content

  • The student will produce a dissertation of not more than 12,000 words on a subject approved by the Department of Music in one of the following areas: musicology, music analysis, ethnomusicology, music and science, or popular music.
  • Preparation begins with the specification of an area and proposed topic in the Easter term of the student's second year; following approval and completion of ethics procedures where applicable, a preliminary search for source material is to be conducted over the summer vacation and an abstract prepared for the start of the Michelmas term. The student is expected to work on the dissertation consistently over the course of the academic year, maintaining regular contact with a nominated supervisor.
  • Students are also expected to attend dissertation seminars, and to discuss their own project with other students.

Learning Outcomes

Subject-specific Knowledge:

  • Students will also increase their knowledge of the particular topic addressed in the dissertation.

Subject-specific Skills:

  • Students apply and further develop a range of core musicological research skills, including the definition of research questions or problems; searches for source material including academic literature; awareness of research ethics issues; critical reading of scholarly literature and, as appropriate, skills in the analysis and interpretation of other sources; and writing a sustained narrative in an appropriate prose style and presented according to standard academic conventions. In the context of dissertation seminars students develop their skills in presenting their own arguments, and in commenting on the work of others in a constructive manner.

Key Skills:

  • Students will be able to demonstrate an ability to work effectively on an independent research project, and to communicate effectively with clarity of written expression and the appropriate use of scholarly conventions and specialist vocabulary.

Modes of Teaching, Learning and Assessment and how these contribute to the learning outcomes of the module

  • One to one tutorials will guide students through the process from the definition of a research question and initial literature searches to writing up. Students are expected to keep in regular contact with their supervisors, and to take the initiative in arranging tutorial sessions at appropriate times. They are expected to present samples of written work in a timely manner in order to allow supervisors to give feedback. Dialogue with the supervisor, and with fellow students in the context of seminars, sharpen students' ability for critical debate, independent thinking, and reflective judgement.

Teaching Methods and Learning Hours

ActivityNumberFrequencyDurationTotalMonitored
Lectures1Start of term 11 hour1 
Tutorials63 each in terms 1 and 21 hour6 
Seminars21 in Michaelmas Term and 1 in Epiphany Term2 hours4 
Preparation and Reading389 
TOTAL400 

Summative Assessment

Component: DissertationComponent Weighting: 100%
ElementLength / DurationElement WeightingResit Opportunity
Dissertation, on a subject chosen in advance by the Department of Music12000 words max100No

Formative Assessment

Individual comments on materials (text, bibliography, discography etc.) submitted by students for tutorial sessions. Feedback from peers and staff on material presented at seminars.

More information

If you have a question about Durham's modular degree programmes, please visit our FAQ webpages, Help page or our glossary of terms. If you have a question about modular programmes that is not covered by the FAQ, or a query about the on-line Undergraduate Module Handbook, please contact us.

Prospective Students: If you have a query about a specific module or degree programme, please Ask Us.

Current Students: Please contact your department.