Staff profile

Martin Clayton is Emeritus Professor in Ethnomusicology at Durham University, and a Fellow of the British Academy. 

He studied at the School of Oriental and African Studies (SOAS) in London, where he obtained degrees in Music and Hindi (BA, 1988) and Ethnomusicology (PhD, 1993). 

Professor Clayton was a Leverhulme Trust Major Research Fellow (2023-26). He led a strand of the EU-funded project EnTimeMent (2019-22), directed a major research project, 'Interpersonal Entrainment in Music Performance', funded by the Arts and Humanities Research Council (AHRC, 2016-18). He previously directed the 'Experience and meaning in music performance' research project: the co-authored book of the same name was published by OUP in October 2013. 

Please note: Professor Clayton is not in a position to take on any new PhD supervisions, or to mentor postdoctoral projects at Durham University.

• Theory and analysis of musical rhythm and metre.
• Musical entrainment and embodiment.
• Hindustani (North Indian) classical music in performance.
• Rhythm and entrainment in traditional Japanese music.
• Audiovisual data and multimodal analysis

Authored book

• Music, time and place: Essays in comparative musicology
  
  Clayton, M. (2007). Music, time and place: Essays in comparative musicology. B.R.Rhythms.
• Time in Indian Music: rhythm, metre and form in North Indian rag performance
  
  Clayton, M. (2000). Time in Indian Music: rhythm, metre and form in North Indian rag performance. Oxford University Press.

Chapter in book

• Hindustani Rhythm and Computational Analysis: A Musicological Perspective
  
  Clayton, M. (2023). Hindustani Rhythm and Computational Analysis: A Musicological Perspective. In P. Rao, H. A. Murthy, & S. Prasanna (Eds.), Indian Art Music: A Computational Perspective (pp. 171-196). Scheme for Promotion of Academic and Research Collaboration.
• Rhythm and Structural Segmentation in Dhrupad Bandish Performance
  
  Clayton, M., Rao, P., & Rohit, M. (2023). Rhythm and Structural Segmentation in Dhrupad Bandish Performance. In P. Rao, H. A. Murthy, & S. Prasanna (Eds.), Indian Art Music: A Computational Perspective (pp. 215-238). Scheme for Promotion of Academic and Research Collaboration.
• The Use of Static Video in Ethnomusicological Research. Methodological Developments and Analytical Applications
  
  Clayton, M., Leante, L., & Tarsitani, S. (2021). The Use of Static Video in Ethnomusicological Research.Methodological Developments and Analytical Applications. In A. Cosentino, R. Di Mauro, & G. Giordano (Eds.), Sounding Frames. Itinerari di musicologia visuale Scritti in onore di Giorgio Adamo (pp. 39-52). edizioni Museo Pasqualino.
• Empirical methods in the study of music performance. An interdisciplinary history
  
  Clayton, M. (2020). Empirical methods in the study of music performance. An interdisciplinary history. In G. Borio, G. Giuriati, A. Cecchi, & M. Lutzu (Eds.), Investigating musical performance : theoretical models and intersection. (1st ed., pp. 9-24). Routledge.
• Entrainment and the social origins of musical rhythm
  
  Clayton, M. (2020). Entrainment and the social origins of musical rhythm. In P. Cheyne, A. Hamilton, & M. Paddison (Eds.), The philosophy of rhythm : aesthetics, music, poetics. Oxford University Press.
• Time, Gesture, and Attention in a Khyāl Performance.
  
  Clayton, M. (2017). Time, Gesture, and Attention in a Khyāl Performance. In J. C. Post (Ed.), Ethnomusicology: A Contemporary Reader, Volume II. (pp. 249-266). Routledge.
• The Ethnography of Embodied Music Interaction
  
  Clayton, M. (2017). The Ethnography of Embodied Music Interaction. In M. Lesaffre, P. Maes, & M. Leman (Eds.), The Routledge companion to embodied music interaction. Routledge.
• Embodiment in Music Performance
  
  Clayton, M., & Leante, L. (2013). Embodiment in Music Performance. In M. Clayton, B. Dueck, & L. Leante (Eds.), Experience and meaning in music performance. (pp. 188-207). Oxford University Press.
• The Time of Music and the Time of History
  
  Clayton, M. (2013). The Time of Music and the Time of History. In P. V. Bohlman (Ed.), The Cambridge history of world music. (pp. 767-785). Durham Research Online (DRO).
• Entrainment, ethnography and musical interaction
  
  Clayton, M. (2013). Entrainment, ethnography and musical interaction. In M. Clayton, B. Dueck, & L. Leante (Eds.), Experience and Meaning in Music Performance (pp. 17-39). Oxford University Press.
• Introduction: Experience and meaning in music performance
  
  Clayton, M., Dueck, B., & Leante, L. (2013). Introduction: Experience and meaning in music performance. In M. Clayton, B. Dueck, & L. Leante (Eds.), Experience and Meaning in Music Performance (pp. 1-16). Oxford University Press.
• Imagery, melody and gesture in cross-cultural perspective
  
  Fatone, G. A., Clayton, M., Leante, L., & Rahaim, M. (2011). Imagery, melody and gesture in cross-cultural perspective. In A. Gritten & E. King (Eds.), New perspectives on music and gesture. (pp. 203-220). Ashgate Publishing.
• Gestures in performance
  
  Dahl, S., Bevilacqua, F., Bresin, R., Clayton, M., Leante, L., Poggi, I., & Rasamimanana, N. (2009). Gestures in performance. In R. I. Godoy & M. Leman (Eds.), Musical gestures : sound, movement, and meaning. (pp. 36-68). Routledge.
• The social and personal functions of music in cross-cultural perspective
  
  Clayton, M. (2009). The social and personal functions of music in cross-cultural perspective. In S. Hallam, I. Cross, & M. Thaut (Eds.), The Oxford handbook of music psychology. (pp. 35-44). Oxford University Press.
• Local practice, global network: The guitar in India as a case study
  
  Clayton, M. (2009). Local practice, global network: The guitar in India as a case study. In R. K. Wolf (Ed.), Theorizing the local : music, practice and experience in South Asia and beyond. (pp. 65-78). Oxford University Press.
• Toward an Ethnomusicology of Sound Experience
  
  Clayton, M. (2008). Toward an Ethnomusicology of Sound Experience. In H. Stobart (Ed.), The new (ethno)musicologies. (pp. 135-169). Scarecrow Press.
• Musical Renaissance and its Margins in England and India, 1874–1914
  
  Clayton, M. (2007). Musical Renaissance and its Margins in England and India, 1874–1914. In M. Clayton & B. Zon (Eds.), Music and orientalism in the British Empire, 1780s to 1940s : portrayal of the East. (pp. 71-93). Ashgate Publishing.
• Communication in Indian raga performance
  
  Clayton, M. (2005). Communication in Indian raga performance. In D. Miell, D. Hargreaves, & R. MacDonald (Eds.), Musical communication. (pp. 361-381). Oxford University Press.
• Comparing music, comparing musicology
  
  Clayton, M. (2003). Comparing music, comparing musicology. In M. Clayton, T. Herbert, & R. Middleton (Eds.), The cultural study of music : a critical introduction. (pp. 57-68). Routledge.
• Rock to Raga: the many lives of the Indian guitar
  
  Clayton, M. (2001). Rock to Raga: the many lives of the Indian guitar. In A. Bennett & K. Dawe (Eds.), Guitar cultures. (pp. 179-208). Berg.
• Introduction: towards a theory of musical meaning (in India and elsewhere)
  
  Clayton, M. (2001). Introduction: towards a theory of musical meaning (in India and elsewhere). In M. Clayton (Ed.), Music and Meaning: Special issue of British Journal of Ethnomusicology (pp. 1-17). Routledge. https://doi.org/10.1080/09681220108567307

Conference Paper

• Raga Classification from Vocal Performances Using Multimodal Analysis
  
  Clayton, M., Rao, P., Shikarpur, N., Roychowdhury, S., & Li, J. (2022). Raga Classification from Vocal Performances Using Multimodal Analysis. Presented at 23rd Int. Society for Music Information Retrieval Conference, Bengaluru, India.
• Automated video analysis of interpersonal entrainment in Indian music performance
  
  Alborno, P., Clayton, M., Keller, P., Volpe, G., & Camurri, A. (2015, August 3). Automated video analysis of interpersonal entrainment in Indian music performance. Presented at Proceedings of the 7th International Conference on Intelligent Technologies for Interactive Entertainment, Torino, Italy. https://doi.org/10.4108/icst.intetain.2015.259521

Edited book

• Experience and Meaning in Music Performance
  
  Clayton, M., Dueck, B., & Leante, L. (Eds.). (2013). Experience and Meaning in Music Performance. Oxford University Press.
• The Cultural Study of Music: A Critical Introduction (Second Edition)
  
  Clayton, M., Herbert, T., & Middleton, R. (Eds.). (2012). The Cultural Study of Music: A Critical Introduction (Second Edition). Routledge.
• Music, Words, and Voice: a reader
  
  Clayton, M. (Ed.). (2008). Music, Words, and Voice: a reader. Manchester University Press.
• Music and Orientalism in the British Empire, 1780s to 1940s: Portrayal of the East
  
  Clayton, M., & Zon, B. (Eds.). (2007). Music and Orientalism in the British Empire, 1780s to 1940s: Portrayal of the East. Ashgate Publishing.
• The Cultural Study of Music: A Critical Introduction
  
  Clayton, M., Herbert, T., & Middleton, R. (Eds.). (2003). The Cultural Study of Music: A Critical Introduction. Routledge.

Journal Article

• A genre-specific structure of subjective feeling in music listening: What do qawwālī listeners feel?
  
  Graves, T. A., Eerola, T., Clayton, M., Murshid Nizami, S., & Usama Rafiq, M. (2026). A genre-specific structure of subjective feeling in music listening: What do qawwālī listeners feel? Musicae Scientiae, 30(1), 3-26. https://doi.org/10.1177/10298649251385728
• Analysis of Unmetered Coordination in the Tōgaku Ensemble of Japanese Court Music (Gagaku)
  
  Clayton, M., & Kamata, S. (2025). Analysis of Unmetered Coordination in the Tōgaku Ensemble of Japanese Court Music (Gagaku). Analytical Approaches to World Musics, 13(2). https://doi.org/10.5281/zenodo.17829830
• The perception of tension in harmonic intervals across Indian and Western listeners: the roles of psychoacoustics and musical expertise
  
  Lahdelma, I., Eerola, T., Ahmad, N., Armitage, J., Clayton, M., Bhattacharyya, B., & Munsamy, N. (2025). The perception of tension in harmonic intervals across Indian and Western listeners: the roles of psychoacoustics and musical expertise. Journal of New Music Research, 54(1), 3-14. https://doi.org/10.1080/09298215.2025.2582843
• The Effect of Rhythm Cycle Length, Cultural Familiarity, and Musicianship on Learning and Recall of North Indian Rhythmic Patterns
  
  Ahmad, N., Clayton, M., & Eerola, T. (2025). The Effect of Rhythm Cycle Length, Cultural Familiarity, and Musicianship on Learning and Recall of North Indian Rhythmic Patterns. Auditory Perception & Cognition, 8(4), 285-298. https://doi.org/10.1080/25742442.2025.2586999
• Video Analysis of Voice-Related Movements and Bodily Effort in Dhrupad Vocal Improvisation
  
  Paschalidou, S., & Clayton, M. (2025). Video Analysis of Voice-Related Movements and Bodily Effort in Dhrupad Vocal Improvisation. Music & Science, 8, 20592043251368677. https://doi.org/10.1177/20592043251368677
• Temporal structure and synchronization in the Tōgaku ensemble of Japanese court music (Gagaku)
  
  Kamata, S., & Clayton, M. (2025). Temporal structure and synchronization in the Tōgaku ensemble of Japanese court music (Gagaku). Analytical Approaches to World Music, 12(1). https://doi.org/10.5281/zenodo.14561020
• Identifying Melodic Motifs and Stable Notes from Gestural Information in Indian Vocal Performances
  
  Nadkarni, S., Rao, P., & Clayton, M. (2024). Identifying Melodic Motifs and Stable Notes from Gestural Information in Indian Vocal Performances. Transactions of the International Society for Music Information Retrieval, 7(1), 246-263. https://doi.org/10.5334/tismir.211
• onsetsync: An R Package for Onset SynchronyAnalysis
  
  Eerola, T., & Clayton, M. (2024). onsetsync: An R Package for Onset SynchronyAnalysis. Journal of Open Source Software, 9(93), Article 5395. https://doi.org/10.21105/joss.05395
• Hindustani raga and singer classification using 2D and 3D pose estimation from video recordings
  
  Clayton, M., Li, J., Clarke, A., & Weinzierl, M. (2023). Hindustani raga and singer classification using 2D and 3D pose estimation from video recordings. Journal of New Music Research, 52(4), 285-300. https://doi.org/10.1080/09298215.2024.2331788
• Human Movement Datasets: An Interdisciplinary Scoping Review
  
  Olugbade, T., Bieńkiewicz, M., Barbareschi, G., D’amato, V., Oneto, L., Camurri, A., Holloway, C., Björkman, M., Keller, P., Clayton, M., Williams, A. D. C., Gold, N., Becchio, C., Bardy, B., & Bianchi-Berthouze, N. (2022). Human Movement Datasets: An Interdisciplinary Scoping Review. ACM Computing Surveys, 55(6). https://doi.org/10.1145/3534970
• The Interpersonal Entrainment in Music Performance Data Collection
  
  Clayton, M., Tarsitani, S., Jankowsky, R., Jure, L., Leante, L., Polak, R., Poole, A., Rocamora, M., Alborno, P., Camurri, A., Eerola, T., Jacoby, N., & Jakubowski, K. (2021). The Interpersonal Entrainment in Music Performance Data Collection. Empirical Musicology Review, 16(1), 65-84. https://doi.org/10.18061/emr.v16i1.7555
• Interpersonal entrainment in music performance: Theory, method and model
  
  Clayton, M., Jakubowski, K., Eerola, T., Keller, P., Camurri, A., Volpe, G., & Alborno, P. (2020). Interpersonal entrainment in music performance: Theory, method and model. Music Perception, 38(2), 136-194. https://doi.org/10.1525/mp.2020.38.2.136
• Cross-Cultural Work in Music Cognition. Challenges, Insights, and Recommendations
  
  Jacoby, N., Margulis, E. H., Clayton, M., Hannon, E., Honing, H., Iversen, J., Klein, T. R., Mehr, S. A., Pearson, L., Peretz, I., Perlman, M., Polak, R., Ravignani, A., Savage, P. E., Steingo, G., Stevens, C. J., Trainor, L., Trehub, S., Veal, M., & Wald-Fuhrmann, M. (2020). Cross-Cultural Work in Music Cognition. Challenges, Insights, and Recommendations. Music Perception, 37(3), 185-195. https://doi.org/10.1525/mp.2020.37.3.185
• Theory and practice of long-form non-isochronous meters: The case of the North Indian rūpak tāl
  
  Clayton, M. (2020). Theory and practice of long-form non-isochronous meters: The case of the North Indian rūpak tāl. Music Theory Online, 26(1), Article 2. https://doi.org/10.30535/mto.26.1.2
• Making the most of circumstances: Reflecting on the experience of two ethnomusicologist parents
  
  Leante, L., & Clayton, M. (2020). Making the most of circumstances: Reflecting on the experience of two ethnomusicologist parents. Ethnomusicology Forum, 29(3), 307-310. https://doi.org/10.1080/17411912.2020.1873566
• Multimodal perception of interpersonal synchrony: Evidence from global and continuous ratings of improvised musical duo performances
  
  Jakubowski, K., Eerola, T., Blackwood Ximenes, A., Ma, W., Clayton, M., & Keller, P. (2020). Multimodal perception of interpersonal synchrony: Evidence from global and continuous ratings of improvised musical duo performances. Psychomusicology: Music, Mind and Brain, 30(4), 159-177. https://doi.org/10.1037/pmu0000264
• Interpersonal entrainment in Indian instrumental music performance: Synchronization and movement coordination relate to tempo, dynamics, metrical and cadential structure
  
  Clayton, M., Jakubowski, K., & Eerola, T. (2019). Interpersonal entrainment in Indian instrumental music performance: Synchronization and movement coordination relate to tempo, dynamics, metrical and cadential structure. Musicae Scientiae, 23(3), 304-331. https://doi.org/10.1177/1029864919844809
• Shared Periodic Performer Movements Coordinate Interactions in Duo Improvisations
  
  Eerola, T., Jakubowski, K., Moran, N., Keller, P., & Clayton, M. (2018). Shared Periodic Performer Movements Coordinate Interactions in Duo Improvisations. Royal Society Open Science, 5(2), Article 171520. https://doi.org/10.1098/rsos.171520
• Extracting Coarse Body Movements from Video in Music Performance: A Comparison of Automated Computer Vision Techniques with Motion Capture Data
  
  Jakubowski, K., Eerola, T., Alborno, P., Volpe, G., Camurri, A., & Clayton, M. (2017). Extracting Coarse Body Movements from Video in Music Performance: A Comparison of Automated Computer Vision Techniques with Motion Capture Data. Frontiers in Digital Humanities, 4, Article 9. https://doi.org/10.3389/fdigh.2017.00009
• Aksak Patterns and Entrained Interaction in Transylvanian Village Music
  
  Clayton, M. (2016). Aksak Patterns and Entrained Interaction in Transylvanian Village Music. Empirical Musicology Review, 10(4), 292-301. https://doi.org/10.18061/emr.v10i4.4886
• Role, status and hierarchy in the performance of North Indian classical music
  
  Clayton, M., & Leante, L. (2015). Role, status and hierarchy in the performance of North Indian classical music. Ethnomusicology Forum, 24(3), 414-442. https://doi.org/10.1080/17411912.2015.1091272
• Pulse and Entrainment to Non-Isochronous Auditory Stimuli: The case of North Indian Alap
  
  Will, U., Clayton, M., Wertheim, I., Leante, L., & Berg, E. (2015). Pulse and Entrainment to Non-Isochronous Auditory Stimuli: The case of North Indian Alap. PLoS ONE, 10(4), Article e0123247. https://doi.org/10.1371/journal.pone.0123247
• What is entrainment? Definition and applications in musical research
  
  Clayton, M. (2012). What is entrainment? Definition and applications in musical research. Empirical Musicology Review, 7(1-2), 49-56.
• Testing a computational model of rhythm perception using polyrhythmic stimuli
  
  Angelis, V., Holland, S., Upton, P. J., & Clayton, M. (2012). Testing a computational model of rhythm perception using polyrhythmic stimuli. Journal of New Music Research, 2012(iFirst article), 1-14. https://doi.org/10.1080/09298215.2012.71891
• Inter-group Entrainment in Afro-Brazilian Congado Ritual
  
  Lucas, G., Clayton, M., & Leante, L. (2011). Inter-group Entrainment in Afro-Brazilian Congado Ritual. Empirical Musicology Review, 6(2), 75-102.
• Crossing Boundaries and Bridging Gaps: thoughts on relationships between ethnomusicology and music psychology
  
  Clayton, M. (2009). Crossing Boundaries and Bridging Gaps: thoughts on relationships between ethnomusicology and music psychology. Empirical Musicology Review, 4(2), 75-77.
• Observing entrainment in music performance: video-based observational analysis of Indian musicians’ tanpura playing and beat marking
  
  Clayton, M. (2007). Observing entrainment in music performance: video-based observational analysis of Indian musicians’ tanpura playing and beat marking. Musicae Scientiae, 11(1), 27-59. https://doi.org/10.1177/102986490701100102
• Time, gesture and attention in a khyal performance
  
  Clayton, M. (2007). Time, gesture and attention in a khyal performance. Asian Music, 38(2), 71-96. https://doi.org/10.1353/amu.2007.0032
• In time with the music: the concept of entrainment and its significance for ethnomusicology
  
  Clayton, M., Sager, R., & Will, U. (2005). In time with the music: the concept of entrainment and its significance for ethnomusicology. European Meetings in Ethnomusicology, 11 (ESEM Counterpoint 1), 1-82.
• Teaching Indian music at a distance: a perspective from the UK
  
  Clayton, M. (2002). Teaching Indian music at a distance: a perspective from the UK. Journal of the Indian Musicological Society, 33, 36-41.
• A. H. Fox Strangways and the Music of Hindostan: revisiting historical field recordings
  
  Clayton, M. (1999). A. H. Fox Strangways and the Music of Hindostan: revisiting historical field recordings. Journal of the Royal Musical Association, 124, 86-118.
• "You can't fuse yourself": Contemporary British-Asian music and the musical expression of identity
  
  Clayton, M. (1998). "You can’t fuse yourself": Contemporary British-Asian music and the musical expression of identity. East European Meetings in Ethnomusicology., 5, 73-87.
• Le metre et le tal dans la musique de l'Inde du Nord. (translated by Georges Goormaghtigh)
  
  Clayton, M. (1997). Le metre et le tal dans la musique de l’Inde du Nord. (translated by Georges Goormaghtigh). Cahiers de Musiques Traditionnelles, 10, 169-189. https://doi.org/10.2307/40240271
• Free Rhythm: Ethnomusicology and the Study of Music Without Metre
  
  Clayton, M. (1996). Free Rhythm: Ethnomusicology and the Study of Music Without Metre. Bulletin of the School of Oriental and African Studies, 59(2), 323-332. https://doi.org/10.1017/s0041977x00031608
• Ethnographic Wax Cylinders at the British Library National Sound Archive: A Brief History and Description of the Collection
  
  Clayton, M. (1996). Ethnographic Wax Cylinders at the British Library National Sound Archive: A Brief History and Description of the Collection. Ethnomusicology Forum, 5(1), 67-92. https://doi.org/10.1080/09681229608567248
• Two gat Forms for the sitār: A Case Study in the Rhythmic Analysis of North Indian Music
  
  Clayton, M. (1993). Two gat Forms for the sitār: A Case Study in the Rhythmic Analysis of North Indian Music. Ethnomusicology Forum, 2(1), 75-98. https://doi.org/10.1080/09681229308567213

Other (Digital/Visual Media)

• Nagauta-bayashi
  
  Kamata, S., Clayton, M., Takaoka, A., Kudo, K., Miyata, K., & Shimizu, D. (2026, February 10). Nagauta-bayashi [Audio, video].
• Sur Sangat Collection
  
  Clayton, M., Rao, P., & Phatak, M. (2024, September 23). Sur Sangat Collection [Audio/Video]. OSF.
• Gagaku
  
  Clayton, M., Kamata, S., Takaoka, A., & Tarsitani, S. (2023). Gagaku.
• NIRP1 Rupak Tal Khyals
  
  Clayton, M., Leante, L., & Tarsitani, S. (2021). NIRP1 Rupak Tal Khyals. https://doi.org/10.17605/osf.io/fqub5
• Hindustani Raga and Singer Classification Using Pose Estimation
  
  Clayton, M., Li, J., Clarke, A. R., Weinzierl, M., Leante, L., & Tarsitani, S. (2021). Hindustani Raga and Singer Classification Using Pose Estimation. https://doi.org/10.17605/osf.io/t5bwa
• NIRP1 Rupak Tal Khyals
  
  Clayton, M., Leante, L., & Tarsitani, S. (2019). NIRP1 Rupak Tal Khyals. https://doi.org/10.17605/osf.io/fqub5
• IEMP European String Quartet
  
  Clayton, M., & Tarsitani, S. (2019). IEMP European String Quartet. https://doi.org/10.17605/osf.io/usfx3
• North Indian Raga Performance
  
  Clayton, M., Leante, L., & Tarsitani, S. (2019). North Indian Raga Performance. https://doi.org/10.17605/osf.io/nkjgz
• IEMP Uruguayan Candombe
  
  Jure, L., Rocamora, M., Tarsitani, S., & Clayton, M. (2018). IEMP Uruguayan Candombe. https://doi.org/10.17605/osf.io/wfx7k
• IEMP Tunisian Stambeli
  
  Jankowsky, R., Tarsitani, S., & Clayton, M. (2018). IEMP Tunisian Stambeli. https://doi.org/10.17605/osf.io/swby6
• IEMP Cuban Son and Salsa
  
  Poole, A., Tarsitani, S., & Clayton, M. (2018). IEMP Cuban Son and Salsa. https://doi.org/10.17605/osf.io/sfxa2
• IEMP Malian Jembe
  
  Polak, R., Tarsitani, S., & Clayton, M. (2018). IEMP Malian Jembe. https://doi.org/10.17605/osf.io/m652x
• Interpersonal Entrainment in Music Performance
  
  Clayton, M., Eerola, T., Tarsitani, S., Jankowsky, R., Jure, L., Poole, A., Rocamora, M., & Jakubowski, K. (2018). Interpersonal Entrainment in Music Performance. https://doi.org/10.17605/osf.io/37fws
• IEMP Technical Resources
  
  Eerola, T., Clayton, M., Alborno, P., Camurri, A., Jacoby, N., Jakubowski, K., & Tarsitani, S. (2018). IEMP Technical Resources. https://doi.org/10.17605/osf.io/nvr73
• IEMP North Indian Raga
  
  Clayton, M., Leante, L., & Tarsitani, S. (2018). IEMP North Indian Raga. https://doi.org/10.17605/osf.io/ks325
• Interactions in duo improvisations
  
  Clayton, M., Eerola, T., Jakubowski, K., & Tarsitani, S. (2017). Interactions in duo improvisations. https://doi.org/10.5255/ukda-sn-852847
• 'Wayang Golék: Performing arts of Sunda (West Java)' Accompanying booklet
  
  Clayton, M., & Cook, S. (1999). ’Wayang Golék: Performing arts of Sunda (West Java)’ Accompanying booklet.
• 'Khyal: Classical Singing of North India' Accompanying booklet
  
  Clayton, M., & Sahasrabuddhe, V. (1999). ’Khyal: Classical Singing of North India’ Accompanying booklet.

Other (Print)

• movementsync: Analysis and Visualisation of Musical Audio and Video Movement Synchrony Data
  
  Eerola, T., Clayton, M., & Emms, P. (2023). movementsync: Analysis and Visualisation of Musical Audio and Video Movement Synchrony Data. The R Foundation.